This rhizomatic syntaxis may be likened to that of late 90s hypertext literature and artworks, such as Shelley Jackson’s Patchwork Girl and Olia Lialina’s Agatha Appears. Essentially a collaborative process where the Other is acknowledged, and the self constructed and revealed. wombofspace, a hypertext e-zine finds herself being the medium for this piece—one where rhizomatic syntax weaves a conversation where the laughing medusa overlaps with the Caribbean rhizome. Through a nonlinear experience, the reader first encounters the volume as arrangeable pieces and has the power to rearrange and journey through these components—articles, images, essays, visual pieces—in a self-configured bespoke poetic experience.